2020, a highly anticipated year, was expected to be groundbreaking, especially for Japan. The upcoming Olympics were exciting not only for the tourists but also for the business owners who invested a lot in one safe bet: the sports games would make the economy great again. The tourism industry, in particular, was thriving in 2019 indeed and 2020 would only accelerate the boom. Because of it, it might have been secure to assume that tourism is an endless gold mine of Japan. The increasing number of tourism-related services is overwhelming, especially in Kyoto and Gion, where even the famous school for geiko is being transformed into another hotel. But then, the most unexpected and terrifying thing has happened—the coronavirus pandemic, described by the Japanese prime minister as “the biggest crisis since the II World War”. What does it mean for the geisha business?(more…)
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At a tranquil August evening, just a night before a typhoon hit Kyoto, I had a privilege to be entertained by a charming maiko Toshinaho of Miyagawacho district. It is one of my job’s perks when a customer requests to meet a geiko or maiko privately. It was quite difficult to arrange an ozashiki in the middle of Obon holidays, but luckily, while the Gion Kobu artists and local businesses are off, the Miyagawacho geimaiko don’t mind the holidays and keep on working. So young Toshinaho of the Komaya house was chosen to be our star that night.(more…)
We, as a media audience, have certainly witnessed quite a few important social issues within the past year. Some of them led to an unnecessary extreme, yet they all raised an important question—how to treat women, minorities, and traditional culture possibly in the most respectful way?
First days of December are always exciting within hanamachi. Although it’s slowly getting colder, maiko and geiko get into festive mood regardless. The very first week of the month is exclusively dedicated for kabuki—special “Kaomise/顔見世総見” review is held at Kyoto Minami-za Theatre. It’s, for sure, the highlight of the whole winter season. Kabuki plays during Kaomise gather the finest actors, celebrities, and guests—including geiko and maiko who get seated at the collateral galleries inside Minami-za. The theatre itself is decorated with wooden maneki boards on the facade that create a peculiar program of current performances, as the maneki are decorated with the actors’ names respectively. This year, however, Minami-za is going under seismic-protective construction, so Kaomise was moved to the ROHM Theatre of Kyoto. The maneki plates still can be found at the new location, as many Kyoto-natives cannot imagine the wintertime without a sight of these wooden tabs.