Glittering glamour of the sakkou hairstyle

The goal of a maiko’s career is to become a geiko. As for every other special occasion, this particular event is also celebrated with a meaningful ceremony. It’s called erikae (衿替え/襟替え) or, roughly translated, “turning the collar”. The collar worn with a geiko kimono is indeed different than maiko’s one—completely white, in the front and the back, carefully sewn onto a light pink undergarment (襦袢juban) which replaces maiko’s red robes. It’s not only a visual change but a mental transition as well. After the maiko adapts the new collar, she steps into an entirely different path. From now on, it’s expected from her to be more autonomous, liable, mature, and diligent, as she slowly adjusts to working for her account. It’s the final exam of her art skills, the one she’s been waiting for since she first stepped through the door of her okiya.

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Oshiroi makeup – an enigmatic mask

One of the most significant parts of a geisha’s appearance is a thick white makeup on the face and neck. Oshiroi (白粉, lit. “white powder”) is also essential for kabuki actors, nihonbuyo, jiutamai dancers, and other performing artists. While geisha wear this makeup for their everyday engagements, oshiroi is normally considered as a conception used strictly on stage. Performing arts in Japan happen to be connected with creating an individual character, a brand new role of the artist. It’s visible especially among geisha and kabuki actors—they adopt new first names and surnames upon entering the world of theatre and dance. Accordingly, they create a brand new character—connected to the pseudonym—with oshiroi. A dancer’s face has to be still as a mask—and oshiroi allows this kind of an emotional retreat. Sensations are locked in the dancer’s body motion and eyes expression. There’s no place for smirks, tears, nor frowns.

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Within the modern geisha community – the brief principles

Artykuł został oryginalnie opublikowany pod tytułem “Gejsze w Japonii – między tradycją a współczesnością” przez Centrum Studiów Polska-Azja (http://www.polska-azja.pl/m-superata-gejsze-w-japonii-miedzy-tradycja-a-wspolczesnoscia/)

The article below was originally published by me as “Geisha in Japan – between tradition and contemporaneity” for Poland-Asia Scientific Center (http://www.polska-azja.pl/m-superata-gejsze-w-japonii-miedzy-tradycja-a-wspolczesnoscia/)

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